Archive for January, 2007

Posted on Jan 21st, 2007

Branding is perhaps the most important facet of any business–beyond product, distribution, pricing, or location. A company’s brand is its definition in the world, the name that identifies it to itself and the marketplace. A model may be beautiful, but without a name, she’s just "that girl in that picture." Where would Norma Jean be without Marilyn Monroe, or who would imagine Coca-Cola as just a soft-drink manufacturer? A brand provides a concrete descriptor to customers and competitors alike, a name for a product or service to distinguish it from anything else. Bob may run a hobby shop, but trying to advertise as "The hobby shop a guy named Bob runs down the street a ways" is financial suicide. Each customer will have to describe the shop, who Bob is, and what the shop does every time someone asks about it.

This makes the process of recommending a good hobby shop too much work for the average customer, and far too much work for a user looking for hobby shops on the Internet. A customer looking up Bob’s hobby shop will have an easier time of it if he or she knows to refer to it as "Bob’s House of Hobbies," and the customer can then refer others to Bob’s hobby shop by name, increasing the potential advertising exponentially.

Developing a brand involves more than just picking a catchy name and placing an ad in the newspaper–a brand is more than a unique string of letters denoting a particular product; a successful brand is a mnemonic trigger that makes a consumer feel a certain way when the brand is thought of. For those who drink cola-flavored soft drinks, which is more appealing on a hot day: a cold cola soda, or an ice-cold Coke? Coca-Cola has spent 100 years developing their particular brand of cola-flavored soda as a refreshing beverage and a seminal representation of a market segment. Coca-Cola has used a combination of direct marketing, give-away techniques, and multi-product cross-branding to achieve maximum brand recognition and visibility in not only its immediately competitive market, but in markets as diverse as Coca-Cola branded race cars and housewares.

Brand loyalty is an integral part of building a brand, as consumers usually have a choice of products in the same market segment, and so a successful company will come up with a way to keep consumers re-buying their product or coming back to their location rather than going to a competitor. These brand loyalty-building efforts may come in the form of coupons, incentives such as many grocery chains’ technique of "grocery discount cards" or "loss leaders," meant to draw consumers into the store, where they will hopefully buy products along with the discounted fare at a higher profit ratio.

In exchange for these discounts and grocery cards, many companies collect information about buying habits and average spending amounts, the better to tailor advertisements and better-focus future promotional efforts. Once a consumer is hooked, brand loyalty tends to result in higher sales volume, as well as loyal customers being less sensitive to price changes of their favorite brands (within reason, of course), as well as less sensitive to competitors’ incentives. Studies have shown that it takes 5 times as much money to gain a customer as it does to retain one. That’s 5 times as much money as could have been spent on other things.

A brand is who your company is, and what it is selling–it is as important as naming a baby, and should require the same amount of effort to develop it, but if done well, can mature into a successful and profitable adult.

William King is the director of All Wholesale UK: http://www.uk-wholesaler.co.uk , Wholesale Pages: http://www.wholesalepages.co.uk and Wholesale-Canada: http://www.wholesale-canada.com. He has 18 years of experience in the marketing and trading industries and has been helping retailers, entrepreneurs and startups with their product sourcing, promotion, marketing and supply chain requirements.

Posted on Jan 21st, 2007

How much money have you spent in Advertising, Promotion & Marketing? If you’re like most people you’ve probably spent over $1000 or more. Many individuals and companies have spent $2000 to $50,000 in Advetising within a course of 1 Year… Ouch!

We all know that in order to succeed in business, we all have to do a lot of advertising right!… However why are we spending so much on advertising? "Could it be because others are doing the work for us?" I have a clear answer to the question, read on…

So why are we spending so much on advertising? After all we are in the 21st century and we need all the advertising that we can get to compete with our relentless competitors. But the reason why were’re spending so much is because others are doing all the work for us and this means they can charge us as high as they feel…

Many of us are also always trying to compete with the large companies who are spending thousands and thousands of dollars on advertising. Small business need to stop doing this. Consider yourself, as a small business, luckier than the large businesses, because you don’t have to worry about losing money when you do Advertising…

Why because the only advertising you should be doing is low cost advertising like Ezine Advertising, low cost opt-in email advertising, low cost pay per click search engines and low cost classified advertising. My favorite would have to be a Solo Ad in an Ezine or Online Newsletter, it has always given me excellent (ROI)Return On Investment.

Don’t try to compete with the large companies with the fancy graphics and expensive advertising. Let them spend all they want in expensive advertising, many of them don’t realize that it’s extremely risky or if they do know that it’s risky, they simply don’t care.

Take Television Advertising and Banner Advertising for instance… Many companies have spend millions of dollars on it, sometimes it works and sometimes it doesn’t and many have failed.

Now don’t get me wrong you can still make profits from other people handling your advertising, but please understand that if others are doing the work for you all the time, you wouldn’t be taking full advantage of the Internet’s Technology. Understand that you too have the same potential as others. So these are what you need to do that will be totally Critical to Your Success and save you from spending too much on advertising…

- Generate tons of Traffic (visitors) to your Business!

- Put together a Powerful Presentation for your visitors!

- Learn How to Advertise for FREE!

I really want to introduce you to some powerful FREE Tools that will let you do all 3 and also allow you to have the same potential that others large companies have when it comes to Advertising and Marketing. Please do not be afraid to "educate yourself" about how to use free tools and resources to generate massive traffic to your web site and still compete with the large companies, small businesses are rising at the speed of light. This is your turn to get the "free knowledge" you need to compete.

I’m not saying that you should stop spending money on Advertising, if your advertising is making you money today… continue doing what you’re doing, just use the free resources as a Powerful Supplement to your business for FREE Advertising!… Even if you have to use Bulk Opt-in Email Advertising. You should take advantage of any Email Marketing software that does that…

Copyright © 2005 by Koffi Amouzouvi

Koffi Amouzouvi is the "author" of a FREE Newsletter called "Specialized Info Newsletter" to help customers use the Most Powerful Marketing Software in 2005. http://www.gemini3style.com

Posted on Jan 20th, 2007

Quite often small business owners will ask me to reveal the most powerful marketing strategy I have seen. I can say without hesitation that the most powerful marketing strategy has little to do with advertising, direct mail, web sites, referrals or blogs.

No, before any of those things will really have any impact on your business you’ve got to uncover and communicate a way in which your business in different from every other business that says they do what you do. You’ve got to get out of the commodity business. You’ve got to stake your claim on a simple idea or position in the mind of your prospective clients.

Here’s what I mean. I have a client that provides custom computer programming. Essentially, they use programming languages to build custom applications for businesses. What they do is often hard to explain and even harder to put a price on, making it difficult for a prospective client to compare different companies. As a way to differentiate their business, they have begun to offer something they call Perfect Coaching. Perfect Coaching is a unique blend of training and programming and, here’s the key, no one else in their business is offering anything like it. Prospects like the sound of it and are asking to know more. It’s too early to tell but I suspect this point of difference will open a lot of doors for them.

Ways to differentiate

Let’s look at a number of tried and true ways to claim a unique point of difference.

Product – Can you offer a product that is so unique or even trendy that your business is associated with that offering? Or, can you extend a product and offer a valuable service to make the product more useful to the customer.

Service – Same goes for a service. Many times this can be the packaging of a service as a product. Consulting is often delivered on an hourly basis. Packaging a consulting engagement based on an outcome, with defined deliverables and fixed package price is a very effective way to differentiate a service offering. Don’t forget to give the service a powerful name!

Market Niche – Carve out an industry or two and become the most dominant player serving that industry. A really nice bonus to this approach is you can usually raise your prices dramatically when you specialize in this manner.

Offer – Can you become known by an offer you make? I know an accountant that offer his tax preparation clients a 100% refund on their preparation fee when they refer four new clients. They are the 100% refund tax guys.

Solve a Problem – Is there something that prospects in your market fear or seem to believe is universal for what you do? If so, focus on communicating how you have the answer. Painless dentistry for example. I know a remodeling contractor who found that what his clients appreciated the most was the way his crews cleaned up at the end of the day. He began to promote the fact that he owned more ShopVacs then any other remodeling contractor on the planet.

Message of Value – Many times there are things that you do that don’t get communicated. Extra that you provide or services you think should be included. Your positioning might just rest in more effectively communicating what you do. I know an office furniture dealer that has adopted the message – We Make Your Business More Valuable – to communicate all the things they bring to the party. Now, everything they do is focused on delivering on that statement. Everyone else in the industry sells furniture.

Unique habit – I know a financial planner who has his client’s car detailed right out in his parking lot when they come in for their annual review. They can’t help but rave to their friends about this unique touch.

Guarantee – Can you offer a guarantee so strong that no one else in your industry would dream of doing it. This one frightens some people but, you probably guarantee your work anyway, you just don’t say so. Come out and boldly announce that you guarantee results and watch what happens!

Customer Service – Everyone knows the story of over the top customer service provided by Nordstrom’s Create your own over the top customer response system and word of mouth advertising will flow liberally. One of the greatest ways to kick this off is to over deliver on your first customer contact. Give them something more than you promised, give them a gift, give them a related service for free.

Against the competition – Many times you can create your category niche by looking for holes in the offerings of your competitors. If every one in industry fails to address a certain problem, boldly grab on to solving that problem and use your competition as the point of difference.

Clues to uncovering your difference

Look at your current clients. What common elements exist among your best clients? Interview your clients. See if they can tell you why they chose to work with, why they stay, why they refer? Study your competitors more closely. What do they do that you could do better, what don’t they offer they you could, how do they position themselves?

Communicate the difference

Once you find your chosen strategy or combination of strategies to differentiate your business, all of your advertising and promotion should be centered around shouting about that difference.

Commit to it, stay at it and resist the temptation to wander off in the next new direction. Building a brand, and that’s what I’m talking about, takes time and patience. The payoff, however, is what differentiates the winners from the losers in this big marketing game.

Copyright 2005 John Jantsch

John Jantsch is a marketing consultant based in Kansas City, Mo. He writes frequently on real world small business marketing tactics and is the creator of “Duct Tape Marketing” a turn-key small business marketing system. Check out his blogs at http://www.DuctTapeMarketing.com/weblog.php and http://www.BloggingBusiness.com

Posted on Jan 20th, 2007

Doesn’t that just grab you by the eyeballs and make you stop dead in your tracks? I mean it’s a little harsh – grammatically speaking – but holy smokes, it does it have ‘stopping power’…

Now I’ll share with you a few secrets for creating good adverts. So let’s dive right in because we’re all busy people ;-)

First you need to be introduced AIDA.

- A stands for ATTENTION, as in get some or you lose your chance
- I stands for INTEREST, as in now keep me interested.
- D stands for DESIRE, as in ok, make me want what you’ve got.
- A stands for ACTION, because people need to take some for things to happen.

Got it? That’s all there is to it…Easy right?

If it were that easy we’d all be rich and you wouldn’t need marketing consultants like me. Truthfully, just invest a few thousand hours studying, read all the classic books on advertising that date as far back as 1920 (when advertising really became a science) and you’ll have the subject down cold.

And on the off-chance you don’t have that much free time, I’ll give you some wickedly powerful pointers that will let you leapfrog over the other guys. So let’s begin…

Headlines R Us (or is that You?)

It all starts with a headline. You know, the first thing the prospect sees. The title at the top of the page, that’s the headline. The first few words they hear on the radio, that’s a ‘headline’ too. Take this article for example, the headline was the first thing you saw. A good headline can almost stand alone and you just ‘get it’. It’s an advert for the advert.

Studies have shown the headline results in approximately 80% of the results. So the headline makes all the difference. In one test a changed headline improved response over 2000% (over 21 times!)

Here’s an example of a really bad headline… YOUR COMPANY NAME

That’s right, your company name is not a good headline. In fact your name, your contact details, how long you’ve been in business and all those other boring bits of data you often put at the top of adverts, is a waste of time…and money UNTIL the prospect wants to know who you are – only then are they important.

Next…Make Them An Offer They Can’t Refuse

Then you have to make a good offer. Don’t beat around the bush. People are busy, your headline stopped them, now they’re looking – so make your pitch. Give them the best you’ve got. Make them an offer they can’t refuse…

Describe the benefits of having your product or service in a way that the prospect can experience. Don’t focus on the specific features – focus on benefits. People buy benefits. Here’s an example:

[Feature] 1/4 Inch Masonry Drill Bit.

[Benefit] 1/4 Inch hole… Probably to hang a picture – so the real benefit was admiring the picture or proving to your spouse that you really are handy around the home…

Finally…Action!

And once you’ve helped them see themselves experiencing your product or service tell them what you want them to do – call, click or visit today. Or words to that effect. Remember, advertising that does anything other than sell is a waste of money for most of us – brand advertising is expensive.

Darn it…I’ve run out of time.

Because headlines are so critical to the success of your adverts I wanted to sign-off with this formula for a good headline: SINC (Self Interest, Curiosity & News).

If you can make the headline show the reader what’s in it for them, make them curious to read more, and share something newsworthy you’ve likely got a winner on your hands.

Remember, the money is ALWAYS in the headline.

JAMES C. BURCHILL is a 20-year veteran entrepreneur and information technology executive who now provides strategic marketing consulting services to a select group of clients. He is a published author, a passionate advocate of technology and the Internet, as well as an avid study of classical advertising and marketing strategies (which he uses during ‘Internet alchemy’ experiments.) James is an expert in information and data management, Internet marketing and online networking. A self confessed ‘information and technology enthusiast’, James brings a wide range of valuable skills to any venture. Of singular note is James’ ability to assimilate complex subject matter and produce clean clear ‘easy-to-understand’ messages. James has been interviewed many times and caused quite the media buzz when a client ‘double-dog-dared’ him to prove you can get front page coverage for $0. The details and that ‘dumb stunt’ are now part of EBay legend. Currently James lives in Ontario, Canada with his wife and family, their Siamese cat and one very nervous fish. Visit http://www.JamesBurchill.com for details.

Posted on Jan 19th, 2007

While we recommend that you contract with the same designer or design team while creating your brand identity materials as possible, we know that this scenario is not always possible.

Whenever you work with a designer other than the original who created your logo, stationery and marketing materials, we suggest a few practices that will prove invaluable for ensuring a consistent look and feel across all of your marketing communications.

At a minimum, make sure that you have information on:

• The Pantone Matching System (PMS) colors used in the designs. These will come in the form of a number. For example, PMS #280 is a deep blue color.

• Fonts. Ask your designer what font is used in your logo, and what secondary and tertiary fonts are used in your stationery and other marketing materials. Having this information will save a future designer many font matching headaches.

• The type of paper on which your materials are printed. In order to duplicate and keep consistent with the look and feel of your materials in future print runs, you’ll always want to have your items printed on the same type of paper.

• The printer who printed your materials. Knowing whether your materials were printed by a digital printer or a press printer can help to ensure that they are reproduced at the same quality in the future. In the case of press printing, this can save you money on additional films as well.

To make for an even smoother transition, negotiate for the original files for your designs. This can be a delicate matter, as some graphic designers do not sell the rights in the original files to their clients. If you cannot get the entire assembled files, we recommend that you negotiate for a minimum of the following pieces:

• An original file of your logo. This is typically known as a vector graphic version, which means that, if the appropriate software is available (Adobe Illustrator or Macromedia Freehand are the most common), you can scale the image up and down without losing image quality. If your logo was not created as a vector graphic (i.e., if it was created in Photoshop), then you need the largest, highest resolution file available. See our article on Logo File Formats for more information on which type of formats of your logo you should have on-hand.

• A file containing any specialized secondary graphic brand elements. Some designers will give you files containing special headers, backgrounds, illustrations, etc., so they are available for any future projects. Loss or lack of these elements keeps a new designer from knowing what original effects were used to create the design.

This information will ensure that your materials have graphics that are consistent across the board, and will save time on future projects.

About the Author

Erin Ferree, Founder and Lead Designer of elf design, is a brand identity and graphic design expert. She has been helping small businesses grow with bold, clean and effective logo and marketing material designs for over a decade. elf design offers the comprehensive graphic and web design services of a large agency, with the one- on-one, personalized attention of an independent design specialist. Erin works closely in partnership with her clients to create designs that are visible, credible and memorable – and that tell their unique business stories in a clear and consistent way. For more information about elf design, please visit:

Logo design at http://www.elf-design.com

Posted on Jan 19th, 2007

I hear it often, “advertising in the Yellow Pages directory doesn’t work!” I smile knowingly and wait for a pause in the conversation, and this is what I say in response to their claims…

“It’s not the medium – it’s the message…and it’s probable the market too!” Blank stares often accompany that opening statement. But they do work – and they work well… IF you know how to use them.

Think of This…

The Yellow Pages (YP) reaches approx 80% of North American adults in the average month, 60% in the average week, and 15% daily. And nearly 90% of these references result in contact with a purchase or an intent to purchase.

The YP is a reference medium – people are looking for ‘something’, usually a solution to an immediate problem. And one out of every two people looking in the YP directory have no provider in mind and are silently begging for a solution to their problem.

Ok, here’s a quick summary – just in case you missed all that. The YP reaches almost everyone eventually, those who are actively looking in the YP directory have a problem and need a solution. And those looking likely have no supplier in mind… Is it just me or doesn’t this sound like a gold mine waiting to be tapped? Given these useful tidbits, doesn’t it make sense to figure out how to make your adverts more effective?

First of All…

Don’t listen to the space sales rep – yup, I know. You’re thinking these guys know their stuff. Well they sure how to sell space, but designing a profitable advert? Uh, no. In fact their design teams (did I mention they offer their services for FREE as part of the ad space you buy?) generally create adverts that look like everyone else’s. Remember, you get what you pay for.

And you wonder why your previous attempts failed…

Here’s The Secret…

If I told you how to place a winning advert in the YP every time, would you want to know? Of course you would. Here’s the secret: simply design an assortment of YP ads and run them in your local weekly newspaper. Track the results and see which one works best - that’s the one you use in the upcoming YP directory. Easy when you know how.

What Format to Use?

Here’s another misconception. You don’t actually have to have colour, you don’t actually have to buy a full page and you certainly don’t have to apply the ‘rules’ that the YP rep might recommend. You do have to be the right size, the right colour and in the right place – it’s not simply a case of bigger, brighter, and more.

This might help you. Imagine the YP reader for a moment and you’ll start to see what your advert should be like. Your potential customer is out there somewhere closely scanning the pages looking for a solution to their problem. What would you want to know if you were in their shoes?

You’d Want Information!

Absolutely, you’d want to know about how they’re the right choice for you and that they understand your problem and that they can assure you of the service you require and oh look… there’s a website with more information or a toll free recorded message with more information, or a free report with more information…

Are you seeing a pattern yet?

The last thing a reader cares about at this point is YOU. They’re only interested in themselves. They have a problem and they want it gone. Make it easy for them to see why you’re the best choice and you’ll have them beating a steady path to your door.

Always Use A Headline…

Remember, the browser is looking for a solution so have a headline at the top of your advert that addressees their main concern. Here’s a suggestion for a headline that will catch the eye of a YP seeker – “7 Ways To Choose The Right Repair Shop” or “5 Questions You Must Ask When Picking The Perfect Mechanic” Isn’t that what they’re trying to do? Won’t your headline stop them dead in their tracks – of course it will.

In closing, there’s a lot more to YP advertising than I can cover in a page, and display advertising (of which YP is one part) is a fascinating subject all on it’s own.

AUTHOR BIO: James Burchill is a freelance marketing consultant and publisher. James helps people ‘Sell more stuff, and make more money!’ He also publishes informational and Internet products and his main website is http://www.JamesBurchill.com James’ newest product shares his insights into the exciting world of freelancing on Elance at http://www.ElanceExposed.com

Posted on Jan 18th, 2007

There are three basic types of logos: text, symbol, and combination logos. The type of logo that will work best for your company depends on a number of considerations, such as the size of your company, the uniqueness of your name, and a variety of other factors.

Text logo

A text logo (also sometimes called a logotype or word mark) is a logo largely made up of the text of the company’s name. This type of logo can have some graphic elements – lines, boxes, borders – that interact with, surround, or even form the letters. However, the graphic elements should be used as an accent to the text, not as a major or equally-weighted part of the logo.

A text logo works well when:

• You have a multi-word business name. If your business name is made up of many words, that are not commonly or easily abbreviated, or when an abbreviation may not be appropriate developing a text logo will keep the logo design as simple and clean as possible.

• You’re working with an innovative, unique business name, as with Yahoo or Google. In each case, the business name is enough to make the logo memorable.

• You’re designing a logo for a large company that offers many types of products, services, or a combination of both, that may be hard to define or “wrap up” in a single picture or symbol.

• You’re designing a logo “for the long haul” – there is less concern about your company “outgrowing” a text logo – they are timeless and classic.

• Trademark protection is highly important – as long as your business name is unique, then a text logo will also be unique.

A text logo may not be the right choice if:

• Your business name is not unique; this can mean difficulty for building your brand recognition. Then, without a symbol, the logo will be more difficult to remember or to associate with your business.

• Your business name does not describe what you do, it can be hard to tell what products or services you offer when just a text logo is used. Taglines or other graphic elements will need to be employed to tell your audience more about your business.

Symbol logo

A symbol logo is the opposite extreme in design from a text logo. This type of logo includes neither words nor letters – only symbols, images and shapes.

A symbol logo works well when:

• Your company already has a high level of brand recognition. If who you are and what you do are already widely known, then you can use a symbol logo as an elegant and clean solution.

• You have been using a combination logo for some time and have now built up enough brand recognition for your symbol to stand alone. This is a common transition for a logo design to take when your company grows.

• You have a unique symbol in your industry – you wouldn’t want to be confused with or mistaken for anyone else in your industry!

• You have the time and energy to trademark your logo, and then to police and enforce that trademark. This is how you ensure that your logo continues to be uniquely yours.

• You have a global presence and can develop a universal, graphic symbol that speaks to you and audiences. Additionally, a symbol can have meanings on many levels, and can also have different meanings in different cultures

A text logo may not be the right choice if:

• You are a company just starting out, you must have the budget and desire to educate your audience on your new symbol logo. This can be a difficult task.

Combination logo

A logo that in some manner combines both a symbol and the company name. The symbol and text can be integrated together, side by side, or with one located above the other.

Combination logos are the most common type of logo for several reasons:

• A combination logo offers the best of both worlds. This type of logo offers a memorable logo graphic that tells the story of who you are, what you do, and what makes you different, all in conjunction with your business name for easy identification.

• A combination logo is an excellent choice for a small- or medium-sized company or a company just starting out, to begin to build brand recognition, because a combination logo is both visually strong and explanatory. The symbol can speak to the services that the company offers, while the company name increases the company recognition.

• Combination logos are easier to copyright and protect than a symbol-only logo, because the logo symbol will always be used in conjunction with the business name. This automatically makes the logo unique.

You can use this guide to determine the best type of logo to design or to have designed for your company, based on the size of your business, how well-known you are, your business name, and your business plans, among other factors. Choosing the right type of logo design is the first step in building your company’s visibility, credibility, and memorability.

About the Author

Erin Ferree, Founder and Lead Designer of elf design, is a brand identity and graphic design expert. She has been helping small businesses grow with bold, clean and effective logo and marketing material designs for over a decade. elf design offers the comprehensive graphic and web design services of a large agency, with the one- on-one, personalized attention of an independent design specialist. Erin works closely in partnership with her clients to create designs that are visible, credible and memorable – and that tell their unique business stories in a clear and consistent way. For more information about elf design, please visit:

Logo design at http://www.elf-design.com

Posted on Jan 18th, 2007

The president of a manufacturing company recently asked me, “Why isn’t my advertising working?” Have you ever been asked this question? Have you ever asked it yourself?

Like most marketing communications questions there are no simple answers. After all, communication is a high level activity. There are lots of variables involved.

If your ad results are disappointing, here are the key things to look at:

1) Message Is what your ad promises compelling? Is it meaningful to your audience? If you’re not offering something prospective customers want, they won’t respond. If you’re not sure what prospects want, ASK!!

2) Audience Are you reaching the people who make the buying decision for your product or service? Many big ticket sales involve buying teams or multiple layers within an organization. Are you reaching everyone you need to?

3) Vehicles Are you in the best publications (or radio time slots, TV programs, whatever)to reach your audience with your message? Look at quantitative AND qualitative data to get a true evaluation of media and vehicles.

4) Frequency/repetition There are two cardinal rules of human communication: a) People will notice your ad only when they’re interested, and b) People retain about 10% of the messages they’re exposed to each day. So for a communication program to succeed, it must repeat, repeat, repeat. (Current estimates are that it can take 7-9 repetitions of a message for it to sink in.)

5) Attention Does your ad have stopping power? Will the intended audience take the time to look? This usually requires the synergy of an arresting visual and a powerful headline.

6) Objectives Are you asking advertising to do what it’s good at? Generating inquiries and creating awareness are reasonable ad objectives. But don’t expect advertising to SELL a product. Good ads set up opportunities to sell. Your sales channel will need to close the deal.

7) Measuring results Do you really know what your advertising is achieving? Are you collecting and reviewing results that relate to your objectives? For instance, if you expect your advertising program to generate inquiries, measurement that looks at inquiry quantity and quality should be built into your program.

Sound intimidating? Communication is important to any business but it’s complicated. Fortunately there are experienced consultants and agencies who can help you.

©Copyright 2005 Clairvoyant Communications, Inc.

About the author

Claire Cunningham, president of Clairvoyant Communications, Inc., has 20+ years’ experience developing and implementing successful marketing and communications programs. Sign up for Claire’s monthly e-newsletter, Communiqué, at http://www.clairvoyantcommunications.com Claire can be reached at 763-479-3499 (claire@claircomm.com)

Posted on Jan 17th, 2007

Color is a highly personal experience – everyone has favorite colors, and other colors that they absolutely don’t like. So, how do you determine which colors that will work for your business identity, and that will send the right message to?

We have developed several methods and approaches for determining successful color palettes. For your corporate identity, you should choose colors that:

• Have a positive meaning in your industry – Think about things that you come into contact with in your industry or emotions that are very positive in your industry, and choose colors that associate with those accordingly. For example, red is a great color for a flower company, since it is the color of roses, but it is a poor color choice for a health care professional, because of the association with blood. Contact us to inquire about color significance for your industry.

• Reflect the emotion of the experience your clients have when working with you. If you have a high-energy business, consider using bright, clear colors. If your services are more complex, consider choosing “complex” colors, like sage green, slate blue, maroon, or another muted tone that speaks of the intricacies of your work.

• You like – You live with this logo and look at it often, so pick colors that excite you. Also, colors you like tend to have commonalities with your personality, so your color palette will begin to speak to your potential clients about who you are and the way you work.

• You wear – Especially if you are a consultant or a sole proprietor, use your personal color palette for your business as well. That way, what you wear will reinforce your brand and will be a constant, subtle reminder of your business to people you meet. Or, if you’re running a larger business that will include uniforms for employees that mirror your logo design.

• Match or complement each other – Eye-catching color palettes that are made up of colors that match or complement each other will be more pleasant for your customers to look at.

• Contrast each other – You will save money if you use a limited color palette (one or two colors) in your printed materials, so choose colors for your logo that contrast each other. That way, you can design your materials in just a few colors, but they’ll still be legible and eye-catching.

If you use these guidelines, you will be able to devise a strong color palette for your business to use both online and in your printed corporate communications. Your color palette is an important aspect of your corporate identity, as it contributes to your visibility, credibility, and memorability.

About the Author

Erin Ferree, Founder and Lead Designer of elf design, is a brand identity and graphic design expert. She has been helping small businesses grow with bold, clean and effective logo and marketing material designs for over a decade. elf design offers the comprehensive graphic and web design services of a large agency, with the one- on-one, personalized attention of an independent design specialist. Erin works closely in partnership with her clients to create designs that are visible, credible and memorable – and that tell their unique business stories in a clear and consistent way. For more information about elf design, please visit:

Logo designat http://www.elf-design.com

Posted on Jan 17th, 2007

It was two days before our shoot. I was in the office with the client going over the story boards and filling him in on all the details for his latest television campaign. At that time, with my agency being in its infancy stage, we were taking in any client we could, which is why I was seated across from the “Redneck Crazy Man” as I liked to refer to him. He owned a string of low end rental car shops and his only redeeming quality was that he was a quick pay.

For this particular shoot, my script involved an NBA star and a good looking young boy I had cast through a local talent agency. The boy had been in a few commercials and he knew how to take direction which is crucial when it comes to working with children.

As I was going over the script, the client stopped me mid-sentence, put a picture of a boy in front of me and said, “What ya think about this kid?” Not sure what he had up his sleeve this time, I looked at the picture of the 10 year old boy. “He’s cute, why?” I asked. “Cause he’s gonna be in the commercials.” He said deadpan. “But I’ve already cast a boy through the talent agency who’s perfect! He’s coming in tomorrow to do the radio spot and he’s contracted to do the TV shoot the following day.” I replied. “Don’t care”. He said. “This here boy is my grandson and if he isn’t in the commercials there ain’t going to be any commercials.” I looked at the picture again and looked back at my redneck crazy man client and shrugged. How bad could he be? I was about to find out.

The next day at our recording studio the “cute” grandson I’ll call Jake in this article to protect all concerned, came in with his mother to do the radio commercials I had originally scheduled with the professional child actor. I gave Jake the script and because he had never been near a microphone, I began to coach him as to how close he should get to it, how to be careful about pronunciation, etc. “Let’s try a few lines” I said, and that’s when the fun began.

Jake I quickly learned, had speech problems. The client’s name had a couple of “R”s in it and Jake pronounced “R”s like “L”s making the name of his granddad’s car rental company sound like a Lithuanian side dish. In addition, he would put a “th” on all words containing an “S”. No matter how many takes he did, the copy came out sounding like a foreign language. Jake grew restless and complained to his mom that he was bored and wanted to go home. And after a couple of hours of futility I ended up salvaging what I could and hoped the listeners were bilingual.

The following day Jake showed up (late) with his mom for the television shoot. Our crew had already been there several hours setting up for our first scene while the NBA star was in makeup. Jake looking bored, grabbed a basketball and started bouncing it on the court right next to one of the sound engineer’s high end reel to reel tape machines. “Be careful bouncing that ball so close to that machine.” I told him. “That is a very expensive piece of equipment.” “Who cares?” He replied deadpan. “If it breaks, my grandfather will pay for it.” That’s when I knew we were in for a long day.

As I tried to get him to focus on the lines he was to deliver (in that special foreign language of his) his eyes went right to the craft services. “Donuts!” he cried as he dropped the ball right on the tape machine and began stuffing his face. I had rewritten most of the lines trying carefully to edit out any “R” words but the name of the company couldn’t be avoided. When he was not causing mischief or complaining to his mom that he was bored, Jake was hungry or he was tired, sprawling around on the basketball court while I tried diplomatically to get him back in front of the camera. At one point I found him trying to flirt with some of the female crew telling them that when his grandfather “kicked” this would all be his. As I steered him into makeup, the makeup artist said, “My, what cute little boy!” “I’ll get back to you at the end of the day to see if you have reassessed that opinion” I whispered to her.

The grandson was not only confrontational and rude to the crew but also to the NBA star as well who looked like he wanted to crush the little runt a few times. The rest of the shoot went as smoothly and after about 10 hours of work, I prayed we had enough film to choose from to finish the :30 second spot.

The makeup artist came up to me later in the day and when I asked her if she still considered the boy cute, I seem to remember her response including the word “strangulation”.

What was the lesson in all this? Well despite what you have heard, the client isn’t always right. In fact, sometimes the client is dead wrong. It all depends on your relationship and chemistry as to how you handle a difficult situation such as this. Don’t be afraid to assert yourself in showing the client what’s best for his advertising and marketing plan for it will benefit both of you in the long run. Just as he is an expert in his business, so too are you in yours. And if you are ever in a situation such as the one I’ve just described, the “grin and bare it” approach may be your only option!

Hal Eisenberg is an award winning copywriter, voice over talent and producer, as well as owner of The Eisenberg Agency, a full service advertising agency specializing in creative ads that get results.

Visit his web site at http://www.eisenbergagency.com
Mailto: halacious@eisenbergagency.com.

« Prev - Next »